Dabdaba Lyrics R Nait

Dabdaba Lyrics haye ve mele lagge haveli rehnde, aake daadu de pairi pende, haye ve mele lagge haveli rehnde, aake daadu de pairi pende,...

haye ve mele lagge haveli rehnde,

aake daadu de pairi pende,

haye ve mele lagge haveli rehnde,

aake daadu de pairi pende,

 

 

han sare tere charhde lehnde,

vailpune di coaching lende,

ve kyun maut naal khehna firna,

ve tu bacha ae kal da,

 

haye ve channa daade de time ton,

sada aonda ae dabdaba chalda,

channa daade de time ton,

sada aonda ae dabdaba chalda,

 

 

ho choti da tera yaar patandar,

hoyi na chodvi chal gya andar,

tange puthe kar kar ke ni,

jinne ne pithan te mare khanjar,

 

halki halki muchh si futt’di,

hoyi si ladayi jadon pehli,

ni hun sanu tu dasengi,

billo kon hunde aa velly,

ni hun sanu tu dasengi,

billo kon hunde aa velly,

 

tenu vekh vekh ke taras aaonda,

aaondi aa naale haasi jahi,

ho takke waliyan kulfiyan khan wale,

gall karde aa badmashi di,

takke waliyan kulfiyan khan wale,

gall karde aa badmashi di,

 

 

ho chamcheya de naal haan deya,

kado vaghda samundar thalda,

haye ve channa daade de time ton,

sada aonda ae dabdaba chalda,

channa daade de time ton,

sada aonda ae dabdaba chalda,

 

ghar beh ke rabb rabb kareya kar,

ki mangdi chane deyan soup’an ton,

tak tiki raat vich haan diye,

hunde fire sun roof’an chon,

tak tiki raat vich haan diye,

hunde fire sun roof’an chon,

 

ho gharon nikalde kayam hoke,

kade kiti na angheli,

ni hun sanu tu dasengi,

billo kon hunde aa velly,

ni hun sanu tu dasengi,

billo kon hunde aa velly,

 

mudhan na ban jae haan deya,

tere mere chalde chakkar da,

ghare aake cheti gall karlae,

labhde firan jawai takkar da,

ghare aake cheti gall karlae,

labhde firan jawai takkar da,

 

 

mauke da har mantri santri,

mundeya ve sade vall da,

haye ve channa daade de time ton,

sada aonda ae dabdaba chalda,

channa daade de time ton,

sada aonda ae dabdaba chalda,

 

odon maarhe din ne billi de,

jadon kardi sher nu meow kude,

han alrhe tu dabbdi kyun kude,

ni ethe sare sab de peo kude,

han alrhe tu dabbdi kyun kude,

ni ethe sare sab de peo kude,

haaye R Nait tera nikle jado ni,

billo naal nikal di rally,

ni hun sanu tu dasengi,

billo kon hunde aa velly,

ni hun sanu tu dasengi,

billo kon hunde aa velly.

About “Khal Nayak Hoon Main” Song

Punjabi songs followers, prepare yourself to include a new favorite to your playlist with “Dabdaba,” the most up to date track by R Nait. This lively track incorporates appealing beats with interesting lyrics, showcasing R Nait’s distinct style. Launched under his own name, “Dabdaba” is making waves and is readied to come to be a hit.

R Nait takes spotlight in “Dabdaba,” delivering a performance that highlights his singing talent and energetic design. Known for his capacity to infuse life right into his songs, Nait’s rendition of “Dabdaba” is both lively and memorable. His voice includes a special touch to the track, making it an immediate fave for fans.

As both the singer and lyricist, R Nait’s personal touch is evident in the verses of “Dabdaba.” His songwriting is both imaginative and relatable, showing motifs that reverberate with his target market. Nait’s capacity to craft appealing and meaningful lyrics improves the track’s charm, making it more than just an appealing tune.

The songs for “Dabdaba” is made up by Mix Singh, whose manufacturing proficiency brings a fresh and energised sound to the track. Singh’s arrangement mixes traditional Punjabi components with contemporary beats, developing a dynamic and appealing musical background. The result is a track that matches Nait’s vocals perfectly and obtains audiences relocating.

The video for “Dabdaba” is routed by the skilled duo Dilsher Singh and Khushpal Singh. Their instructions includes a visual panache to the tune, improving its general appeal. The music video’s engaging visuals and imaginative direction guarantee that “Dabdaba” is as exciting to enjoy as it is to pay attention to.

Jatinder Mehra, the Director of Digital photography, plays a crucial function in the aesthetic presentation of “Dabdaba.” Mehra’s cinematography captures the significance of the track with lively and elegant visuals, adding a layer of aesthetic charm that matches the songs.

 

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